hero

Want to produce a blockbuster movie? This is what you gotta do.

~ Roger JG Albert ~ 2 Comments

The  eight part formula you must follow if you want to create a blockbuster movie.

Create a world where there is nothing much going on (at least for a short time). It may be a purely internal world. It may be on a space ship. It may be under the sea. It may be a battlefield, on POTUS’s airplane, in small town USA, wherever. It doesn’t matter much what kind of world you create. Set it in the past, present or mythical future, or a mix of all three (Terminator). Everybody is going about their business and although it’s not essential that everybody be happy, they should at least be leading fairly straightforward lives even if they’re in prison or on a planet penal colony in the Andromeda galaxy. In fact, their lives may be a shitpot, but that doesn’t matter as long as there isn’t much going on. Play innocuous music in this part.Terminator

Have something dire happen in your world. Shit happens so make it happen. It might be the world coming to an end, a dam busting, a war, a famine, running out of water, going crazy, an alien attack, a whoever attack, needing to tell your parents that you’re gay, having a spouse cheat on you or die, go to jail, get out of jail, having your superpowers sapped by some evil genius, having disreputable people move next door. You get the idea. Get the big Japanese drums going. Big music has to happen here unless your movie is about coming out of the closet or unrequited love (Her), then you can play Adele.

The poor helpless schmucks in your world are at a loss for what to do (Dirty Dancing). Don’t make it easy for them, it would make a silly movie to do that. Make them suffer.  Some might even die because of what happens in 2 above, but that’s not important. The important characters must live. This is where you make sure people know that traditional leadership has failed schmuck world. The mayor is an ass, the boss absconds with the cash, the adults dismiss any action and seem to just want to lie down and die. Things look very bad, very bad indeed.

Then make the situation really bad, so bad that the world is coming to an end. Don’t pull any punches here (Mad Max). Sadness is great here. Lots of sadness, mayhem, bad shit. There’s no logical expectation of survival for the good guy(s).

But, aha! all is not lost! One special, kind of a nobody schmuck gives a speech to rally the troops, or ‘digs down deep’ to find the courage to do something. He or she or both or even a group become(s) the hero(es). This is the defining moment in your movie. Don’t blow it. Don’t get maudlin or sappy.

The schmucks get organized. Watch out bad guys. Training often happens at this point and equipment is gathered to take on the enemy. Play upbeat music in this part and keep dialogue at a minimum.

The climax. Very important. You need a climax where the good and bad are caught in deadly battle. This has got to be good. No holding back here. Time is of the essence. It’s preferable if someone dies here especially the villain unless you’re planning a sequel. It may be that you just knock off one of your lead character’s many personalities, that can be fun). Whatever happens you need resolution here.

The dénouement. This is when all the action is done, people are back to ‘normal’ or at least they know what’s up and the imminent danger has passed.  The good triumph although sometimes it’s hard because there’s a ‘bad’ guy acting good (Unforgiven).  Explanations happen at this stage. We have to know about Darth Vader after all. We can all go home knowing the world is set to right, at least until the sequel.

Unforgiven*

I challenge you to name a movie that doesn’t follow this formula. Well maybe one or the other of Wes Anderson’s movies or some obscure low-budget indie effort.

So why are movies so formulaic? I address that in my next post. Stay tuned.

This formula also happens in TV shows, even sitcoms. Professional sports tries to emulate this formula as much as it can, not always successfully although it does try hard to create the us/them dichotomy culminating in ‘real’ rivalries (Canucks and Flames).

  • images from IMBd

Escape 28: What is the heroic society?

~ Roger JG Albert

Escape 28: What is the heroic society?

 

So, I’ve come to the last chapter of Ernest Becker’s Escape from Evil in this series of posts I’ve come to refer to as my Becker marathon.  In this post and the last 2 to follow in the next couple of days, I work through this last chapter called Retrospect and Conclusion: What is the Heroic Society?  It’s divided into 4 sections, History, Psychology, The Science of Man and the Conclusion [to this last chapter] Today, I take on his section on History, tomorrow, the section on Psychology and on the last day, this Thursday, The Science of Man and the Conclusion. 

In this last chapter, it’s clear to me that Becker is grasping at straws.  He has produced this mind-boggling analysis of what drives us and has driven us throughout history, our fear of death and our fear of life.  Now what?  How are we to suddenly lose our fear of death and put down the weapons we’ve used in their increasingly terrifying effectiveness in our determination to eliminate evil on the planet in the form of the ‘other’?  We’ll get to his final thoughts on this in the last post in this series, but for now, History.

In the opening three paragraphs of this chapter Becker notes the emptiness of a classical Marxist analysis for the ‘liberation’ of humankind, which it claims will come after capitalism has run its course.  I don’t think Becker is correct in his analysis of Marx because the only foray into utopianism that Marx attempted was in his book The German Ideology and he regretted that for the rest of his life.  After he got over his youthful enthusiasm and humanism, he sat in the British Museum and studied until he got bum boils and concluded that the only thing he could say for sure about the fall of capitalism was that there would be no more exploitation of labour by capital because capital will have virtually eliminated labour in successive waves of overproduction.  Becker wants to see Marxism as a failed potential immortality ideology for the masses.  So, what is to be done? [Yes, that’s the title of one of Lenin’s books]

Well, we now know a lot more about the psychodynamics of history.  It’s…

From the outside a saga of tyranny, violence, coercion; from the inside, self-delusion and self-enslavement.

If we didn’t have transference, we wouldn’t be able to stand life. We localize our fear and terror, make it manageable all the while exchanging our freedom for life.  We are sorry creatures indeed, because unlike other animals we have ‘made death conscious.’ (p.148) Evil is in anything that makes us sick, wounds us or even ‘deprives us of pleasure.’ (p.148) 

The result is one of the great tragedies of human existence, what we might call the need to ‘fetishize evil,’ to locate the threat to life in some special places where it can be placated and controlled.  It is tragic precisely because it is sometimes very arbitrary; men make fantasies about evil, see it in the wrong places, and destroy themselves and others by uselessly thrashing about. 

We do this so much it’s quite pathetic, really.  Note what the Ugandan government has just done.  The Ministry of Ethics and Integrity there is charged with seeing gays and lesbians punished and outlawed.  Several US states would do the same and some are actively pursuing action against gays and lesbians.  They see gays and lesbians as threats to their values.  Wow, they obviously have very weak and precarious values to see gays and lesbians as a threat to them.  As Nietzsche concluded, ‘all moral categories are power categories; they are not about virtue in any abstract sense.’ (P. 149) 

Purity, goodness, rightness – these are ways of keeping power intact so as to cheat death; the striving for perfection is a way of qualifying for extraspecial immunity not only in this world but in others to come.  Hence all categories of dirt, filth, imperfection, and error are vulnerability categories, power problems.

You can see why Tea Party Republicans and their counterparts in Uganda are so intent on persecuting gays and lesbians.  They are vulnerability categories in their world!  They need to be eliminated.  Of course, we all need to individuate ourselves, to feel that our lives are meaningful.  What better way of showing that we are special and deserving of power and life is to dedicate ourselves to eliminating dirt, filth, imperfection and error?  Now that’s a heroic thing to do.

In other words, man is fated, as William James saw, to consider this earth as a theatre for heroism, and his life a vehicle for heroic acts which aim precisely to transcend evil…To be a true hero is to triumph over disease, want, death.

Even better sometimes, to be a true hero is to lay down one’s life to secure the lives of others.  Think here of Jesus and scores of other heroes in history who died to secure mankind…‘by their blood we are saved.’ (p.151) 

 

Freud was very pessimistic about the future of humankind.  For Freud we humans are doomed by our own instincts for evil.  Becker doesn’t buy that.  For him, we are born hunters so it may seem that we ‘enjoy the feeling of maximizing [our] organismic powers at the expense of the trapped and helpless prey.’ (p. 152)

The tragedy of evolution is that it created a limited animal with unlimited horizons. Many is the only animal that is not armed with the natural instinctive mechanisms of programming for shrinking his world down to a size that he can automatically act on…Men have to keep from going mad by biting off small pieces of reality which they can get some command over and some organismic satisfaction from.

 

The thing that feeds the great destructiveness of history is that men give their entire allegiance to their own group; and each group is a codified hero system.  Which is another way of saying that societies are standardized systems of death denial; they give structure to the formulas for heroic transcendence.  History can then be looked at as a succession of immortality ideologies, or as a mixture at any time of several of these ideologies.

And so it came to be that we could only become heroic by following orders.  Oh, I’m really summarizing Becker here and doing him an injustice in the process, no doubt.  He seems most comfortable when he is chastising our species in a sense for a history filled with greater and greater paradigms for death denial, ones that expect us to be heroes as individuals, all right, but by ‘following orders.’  This is as true for Christianity as it is for Capitalism.  Follow orders and you will be saved.  The word ‘orders’ here may seem a little harsh and arbitrary because this is not a military type order.  It’s a prescription for salvation that does not tolerate defiance.  In capitalist terms, the ‘order’ means to consume. 

Now a new type of productive and scientific hero came into prominence, and we are still living this today. More cars produced by Detroit, higher stock market prices, more profits, more goods moving – all this equals more heroism.  And with the French Revolution another type of modern hero was codified: the revolutionary hero who will bring an end to injustice and evil once and for all, by bringing into being a new utopian society perfect in its purity.  

Escape 23: Each society is a hero system that promises victory over evil and death.

~ Roger JG Albert ~ 1 Comment

Escape 23: Each society is a hero system that promises victory over evil and death.

Since there is no secular way to resolve the primal mystery of life and death, all secular societies are lies…Each society is a hero system that promises victory over evil and death.  But no mortal, nor even a group of as many as 700 million clean revolutionary mortals, can keep such a promise…it is not within man’s means to triumph over evil and death.  For secular societies the thing is ridiculous…cultures are fundamentally and basically styles of heroic death denial. 

 If each historical society is in some ways a lie or a mystification, the study of society becomes the revelation of the lie…We can then ask empirically, it seems to me, what are the costs of such denials of death, because we know how these denials are structured into styles of life.  These costs can be tallied roughly in two ways: in terms of the tyranny practiced within the society, and in terms of the victimage practiced against aliens or ‘enemies’ outside it.

 Enough for today.  There is much I could disagree with Becker on this assessment of the role of the study of society and it begins with how Thorstein Veblen would coldly address the basic issue here and that is whether or not human life has intrinsic value. More importantly, would an assumption of intrinsic value form the basis of a valid social science.

Escape 21: Scapegoating 101: “Hell is other people.”

~ Roger JG Albert ~ 3 Comments

Escape 21: Scapegoating 101: “Hell is other people.”

This is going to be a shorter post than the last few…which have been way too long.  I fear I’m getting pedantic in my old age.  Say it ain’t so.  I’ll carry on now, pedantry or not.  One positive thing I’m getting out of this is that my typing skills are improving, if nothing else.

So, in the last post we looked at Becker’s use of the term ‘sacrifice’.  This post is about a related term, scapegoating.  Scapegoating is a form of sacrifice…in the early days using a real goat.  Now we do it with people, mostly people we blame, realistically or not, for all of our troubles.  Becker opens this part of Chapter 8 with a quote from Jean-Paul Sartre, the existentialist, who said “Hell is other people.”  I need to put that on a T-shirt, damn it!

From the beginning, men have served the appetites of one another in the most varying ways, but these were always reducible to a single theme: the need for fuel for one’s own aggrandizement and immunity.  Men use one another to assure their personal victory over death…In one of the most logical formulas on the human condition Rank observed: ‘The death fear of the ego is lessened by the killing, the sacrifice, of the other; through the death of the other, one buys oneself free from the penalty of dying, of being killed.  No wonder men are addicted to war…war is a ritual for the emergence of heroes.

What about heroes? This is where Becker introduces the concept of heroism as a major element in his whole thought.  Heroes are not like the rest of us.  Most of us would be willing to sacrifice just about anyone who stands in our way, friend or foe, because inevitably people offend us.  A wife or husband ‘cheats’, another driver cuts us off in traffic then gives us the finger.  As Becker notes, this is the price of our natural narcissism.  We would like to kill people, or at least maim them, almost every day, but our fear of death prevents us.  Heroes are different.  They take the bullet, they take on the bad guys, they put themselves in harms way instead of throwing others in the way.  So “war IS a ritual for the emergence of heroes.”

The logic of scapegoating, then, is based on animal narcissism and hidden fear. If luck, as Aristotle said, is when the arrow hits the fellow next to you, then scapegoating is pushing the fellow into its path – with special alacrity if he is a stranger to you. 

Freud was right; in the narcissism of earthly bodies, where each is imprisoned fatally in his own finite integument, everyone is alien to oneself and subject to the status of scapegoating for one’s own life.

 We kill others, literally or socially, in order to affirm our own life. Then killing others in mass rituals like war is spectacularly affirming.  To bring it closer to home and in a bit of a less dramatic fashion, consider the way we treat the homeless and the poor and how desperately they try to hide their condition.  We kill them socially; it’s almost better than killing them physically because we prolong their suffering and see their distress and immobility as it slowly unfolds before our very eyes.  That affirms our life.

As we watch the Sochi Olympic Games, the victory celebration is a way of

…experiencing the power of our lives and the visible decrease of the enemy: it is a sort of staging of the whole meaning of a war, the demonstration of the essence of it – which is why the public display, humiliation, and execution of prisoners is so important. ‘They are weak and die: we are strong and live.’

We are disgusted by what is happening in North Korea but we turn a blind eye to the humiliation and degradation prisoners experience in our own prisons every day.

The U.S. is always keen to keep the torches lit and the electric chair warmed up.  Guantanamo Bay is a celebration of American power.

 It is obvious that man kills to cleanse the earth of tainted ones, and that is what victory means and how it commemorates life and power: man is bloodthirsty to ward off the flow of his own blood.

Other things that we have found hard to understand have been hatreds and feuds between tribes and families, and continual butchery practiced for what seemed petty, prideful motives of personal honor and revenge. 

Nothing has changed much.  We all think that we are the chosen people and if we don’t try literally to exterminate those who don’t agree with us or who aren’t like us therefore we can’t possibly ‘like’, we ostracize them, marginalize them, ignore them.

Here I would quote a passage that Becker uses from Alan Harrington, but it’s too long and I’m too tired.  Suffice it to say, that that guy over there with the funny beard and strange looking clothes and hat, what if that guy is right in his beliefs.  Can he be my equal?  “All I know is if he’s right I’m wrong.” (p. 113)

In times of peace, without an external enemy, the fear that feeds war tends to find its outlet within the society, in the hatred between classes and races, in the everyday violence of crime, of automobile accidents, and even the self-violence of suicide.

 Enough for today, don’t you think?  Is anybody really reading this stuff anyway?