A meditation on Fifteen Dogs by André Alexis

I don’t often review books on this blog. That’s because I seldom read fiction and my reading of non-fiction runs to extreme esoterica, sociological monographs and art books few of which inspire me to produce reviews. Too much explaining to do. Too much I have to leave unsaid or to the reader’s initiative. 

Upon the urging of my widely read Carolyn spouse, I relented and read a novel, Fifteen Dogs by André Alexis, published this year by Coach House Books. It won the Giller Prize and Carolyn said to me: “Read it, I want to discuss it with you.” Well, that’s not the first time she’s said that, but for some reason I relented this time, partly because she said the book was about death, a long time scholarly interest of mine. It’s not a long book either, another reason why I decided to read it. 

That said, I can’t say that this is a review of the book. It’s more of a meditation on it.

The book’s premise is simple enough. Hermes and Apollo, both gods in the ancient Greek panoply of gods find themselves in a bar in Toronto when at some point Hermes muses: “I wonder what it would be like if animals had human intelligence.” Thereupon, Apollo responds with: “I’ll wager a year’s servitude that animals, any animal you like – would be even more unhappy than humans are, if they were given human intelligence.” 

Sometime later they encounter fifteen dogs in a kennel at the back of an animal clinic nearby. They had found the subjects for their experiment. I’m not going to go into any detail describing the chains of events that constitute this novel, but you can see where this might lead. Dogs don’t have the vocal apparatus to speak human language, but they can, given human intelligence, develop a language of their own which they do in this case. 

One major issue is that physiologically these dogs are still dogs and they still have dog wants and needs as well as dog perceptions of things. Now, with human intelligence, complications inevitably arise. Deaths ensue. Let’s not forget that one of the primary distinctions in this novel is between mortals (dogs and humans) and immortals (Hermes, Apollo and Zeus). Us planetary beings are all mortal, something we have in common. Dogs and humans die. We all do. We all must. Moreover, dogs and humans often have reasons to kill. The dog/humans in this novel are no exception to this rule. 

Here we have a mix of dog/human politics as if human politics weren’t complicated enough. Dog politics are generally straightforward based on brute strength, physical size and cleverness when it comes to intra-pack politics and no mercy when it comes to extra-pack relations. Not much different than human politics, it seems. 

Much of the book is taken up with discussions about morality, mortality and making it through the day in hostile, and sometimes friendly but constricting, environments. Fifteen Dogs is full of the unexpected yet explainable. It does not shy away from visceral descriptions of death but it also revels in the more uplifting connections we make between ourselves as humans as well as those between humans and dogs. I’ve loved all of our dogs as family members. I can certainly relate to this book on that level, but I can also find basic truths in Alexis’ musings on the inevitability of mortality and what it means to live well and die well.

I recommend this book to you all. It’s a  quick read and one that could give rise to great book club conversation. 

One question I have: how would this book read if the gods in question were not so mythical? What if there was only one god in question, the Christian god? How would that change the colour, tone and texture of the book? How would it change the book? 

The Greeks, the Christians and Women: We are a tragic species.

In Greek myth, humankind started out as exclusively male.  The gods created men, mortal beings, but in the age of gold, their mortality was scarcely given any thought because men always died peacefully, in their sleep, with no pain and suffering and it didn’t end there for them.  After death they became pure spirit ‘daemons’ who are essentially given the task of ‘dispensing wealth to men according to individual merit.’ (Ferry 2014, 146)  That’s not a bad gig, really, not unlike how classical economists see the ‘invisible hand’ of the market.  These were invisible daemons doing the same job.

Pandora is the first woman.  She is Zeus’ creation and is given something by every god.  Of course, she’s drop-dead gorgeous but she also comes with a lot of, let us say, unsavory characteristics.  Without going into detail, Prometheus, the creator of men (males only at this point) has pissed off Zeus because he’s been trying to help his creation with getting on with the job of creating civilization. (What really pissed Zeus off was that Prometheus had stolen fire from Olympus and given it to man so that he could now cook his food…a very civilized thing indeed).  Up to this point, still in the golden age, men are living a pretty cool, decent life.  But because of the internecine pissing contests between the gods, things start going sideways for humans.  It comes to pass that Pandora seduces Epimetheus, Prometheus’ hapless brother at which point all hell breaks loose (which is what Zeus wanted in the first place).  Mankind is cast from the golden age into the age of iron, forced to feed himself, etc., and because of the nasty contents of Pandora’s box (pain, fear, old age, death) doomed to lead a miserable life with nothing but hope for succor. (Hope being the only thing not to escape from Pandora’s box.)

So, the point of all of this is that it’s at this stage in the development of the cosmos that men are now born from sexual intercourse between men and women.  Pandora gives birth to other women and that’s it for man.  Sex is where it’s at now.  We come to be born, as it were, between shit and piss and the rest is history.

What I find interesting here as much as anything is the similarity of this account of the origins of people on this planet with the one offered by Christianity.  The details are obviously very different, but the principles are the same and so are the results. As the story goes, God creates man who is pure and spiritual, living in the Garden of Eden, the golden age.  Almost as an afterthought, God creates woman and she seduces the pretty dumb male and is punished for his stupidity by having to work for a living and by having to put up with woman who is never satisfied and reminds him of death every day.

Because this is the whole point and the tragedy of the relations between the sexes since forever.  Woman is associated with the body, temptation and death.  Men are associated with purity, spirit and life.  Women successfully seduced the stupid men and now we all pay the price of mortality.  How’s that for blaming half the world’s population for what came out of Pandora’s box.  Unfortunately, our world is still driven by these old stupid ideas.   Are we ever going to get over this crap and actually start real human history?  Of course, it’s much more complicated than this, but this is an important dimension of the issue especially when laid next to our incessant warlike behaviour and our drive for puffing ourselves up and smiting our ‘enemies.’  Dumb species we are.  Just plain dumb.  This is not to say that every man is a stupid mysogenist.  The fact is that our cultures are fundamentally mysogenistic.  Individuals can be better than that, but our lives are governed to a great extent by mysogenistic principles and practices. Hard to escape. I know some men and women who have.  For me, that’s grounds for optimism and for what little there is left in Pandora’s Box.  More later (of course).